Sesquipedalian

Tuesday, August 28, 2007

Ahí va mi chica azulada
Es mi unicornio perdido
Mi ternura con dos alas
Mi princecita soñada

Ahí va mi chica dorada
Llena de cielos y soles
Mi espejito de colores
Mi muchachita esperada

Le disparé sin piedad
Con mi flecha enamorada
En el centro de su alma
Estoy yo
Esta mi amada
Quisiera ser el valiente
El que la bese primero
El que perdone los celos
El que le diga te quiero

Me disparó sin piedad
Con su flecha enamorada
En el centro de mi alma
Estas vos
Está mi amado
Quisiera ser la valiente
La que lo bese primero
La que perdone los celos
La que le diga te quiero

Te quiero

Ahí va mi chico adorado
Y mi orgullo no me deja
Decirle que es mi elegido
Que no hay otro amor mio

Ahí va mi chica adorada
La más linda de las lindas
Ninguna se le parece
Ella es mi amor mi herida

Te quiero







Semalam yang pergi
Sayup tak berpaling lagi
Tinggalkan semua
Pahit dan manis rasa

Di titian waktu
Aku yang terpisah jauh
Dari hidupmu
Kini merasa rindu

Sebaris namamu ku sematkan
Seraut wajahmu terpahat di ingatan
Dikaulah di antara
Insan yang bertakhta... Di jiwa

Seingatku dulu
Kita bergandingan bahu
Teguh bersatu
Bagai isi dan kuku

Dan tiada pernah ku menduga
Kini ku kehilanganmu
Bagai angin pantas menderu pergi
Membawa khabar yang pahit sekali

Sahabatku
Aku kini mencari bayangmu

Seingatku dulu
Kita bergandingan bahu
Teguh bersatu
Bagai isi dan kuku

Kini ku rasakan kekosongan
Bila kau tiada lagi meneman







Thursday, August 02, 2007

Structure of a Song

A bridge is a musical and/or lyrical break in the song, often inserted after a couple of verses and choruses. It can, when written effectively, give a little change of pace to the song once the repetition begins to become obvious to the listener. Sometimes I might write a simple musical break with no lyrics, usually in the same key, but with a different chord progression. Lyrics are often part of a bridge, however. I've also met pro songwriters who HATE bridges and never write 'em! To each his own!

A pre-chorus is a lead up to the chorus, a kind of "build" if you will. They are not as common as bridges, but can be very effective in bridging the verse just before the chorus.

Intros are at the very beginning of a song, the introduction to it. If you are pitching your songs, better keep your intros SHORT!! Publishers, A&R reps and label execs usually don't have the patience for long self-indulgent intros, and may give up before you even get to the first verse! Sometimes an intro can be effective by foreshadowing the chorus chords just a little, or a quick build of instruments into the song. When I'm playing live, I may stretch the intro to a song and let it build a groove before I start singing.

Extros are often mis-labeled "outros" (I hate that!)...and are the lead-outs or endings to a song. Again, they can get too long and self-indulgent. The faders on recording equipment back in the sixties and seventies lead to just about every recorded song fading out...! There's nothing that beats a nice, tight and unexpected ending, though!

Middle Eight - this is a term you might hear that sometimes refers to a type of bridge, and other times is simply an instrumental break, usually (but not always) eight bars long. In a rock song, for instance, it might contain a guitar lead...Eddie Van Halen howling alone on his guitar for eight bars :-)

Breakdown - sometimes about two-thirds of the way through a song, you'll suddenly hear just the drums playing alone, or the vocals alone, or hand-clapping, etc., with nothing else in the mix. Then, there will be a build-up of instruments again. This is what is referred to as a "breakdown". It's more of an arragement term, rather than a songwriting one. But if you're in a studio trying to get a good recording of your song, you might use this trick to make your arrangement more interesting.

And here's my extro...